Everything New
The Collectors’ Magic Shop
New Parlor & Stage
Dovette Pan. Owen Magic Supreme, Azusa, California, ca. 2000.
Compact version of Owen’s classic production pan. The pan is shown empty and covered with the domed lid; when the lid is removed, a quantity of small articles has appeared inside. Polished metal construction with black knob and Owen hallmark on bottom. Measures approximately 4 x 5½". Very good condition, free of scratches or dents.
Coin Fan. Tenyo, Japan, ca. 1970s.
A mechanical folding fan used to produce coins at its tip, whether the fan is displayed open or closed. The coins may be produced individually or in succession.
New old stock, opened for photography. Includes the mechanical fan, extra coin, original box, and instructions. Box retains its original store price sticker and “Made in Japan” sticker. Contents remain unused. Excellent condition.
Large Double Load Pagoda. U.F. Grant and James King, ca. 1970s.
A decorated production cabinet that may be shown empty before producing two separate loads. The front panel opens to reveal the interior, while a second load may subsequently be produced through the top of the cabinet. The apparatus may also be used for transformations.
Wooden construction finished in green and gold with Asian-inspired stencil decoration. Measures approximately 13 x 7 x 8". Shows wear consistent with age and use, including scattered marks and paint loss. Very good condition overall. Includes original instructions.
Sleeve Production. Janos Bartl, Hamburg, ca. 1930s.
A rectangular production cabinet is displayed empty, the open interior allows the performer’s arm to pass completely through. The cabinet is then placed on the table and a large production is made from within.
Wooden construction with a striking hand-painted geometric design in orange, blue, red, silver, and black. Measures approximately 6.5 x 6.5 x 9.5". Shows wear and paint loss consistent with age and use, otherwise very good condition.
Five-Shot Lota. Abbott’s Magic, Colon, Michigan, ca. 1950s.
A diminutive version of the classic Lota Bowl, allowing the performer to repeatedly pour liquid from the vessel after it has seemingly been emptied. Advertised by Abbott’s as capable of producing five successive drinks.
Spun brass construction with the rare chrome-plated finish. Measures approximately 3" high. An uncommon example of this Abbott apparatus, particularly in the chrome-plated version. Shows light wear consistent with age and use. Very good condition.
Lottery. Abbott’s Magic, Colon, Michigan, ca. 1980s.
A prediction effect in which four spectators are invited to freely select envelopes from a group of five, one of which contains a $10 bill. Regardless of the envelopes chosen, the performer is left with the fifth envelope containing the money. Wooden tray finished in black with gold trim. Measures approximately 12 × 8 × 1 in. Shows light wear consistent with age and use. Very good overall. No instructions included.
Cube-On Release. Abbott's, ca. 1970s.
A visual penetration effect in which a solid wooden block, threaded onto two lengths of rope and secured within a display stand, is visibly pulled free while the ropes remain in the spectators' hands. The stand is immediately shown empty, with the ropes still passing through its open center. Originally designed by Jack Hughes and marketed by Abbott's, Hughes described the effect as "the epitome of all block releases."
Constructed of painted wood with brass hardware and gold striping. Includes the original photocopied instructions. Minor wear consistent with age and use. Very good condition.
Spirit Bell. Conradi-Horster, Berlin, ca. 1919.
A classic spiritualistic effect from Conradi-Horster of Berlin, among the most influential manufacturers of magic apparatus in the early twentieth century. Suspended from the magician’s wand, the glass bell serves as an oracle, responding to questions from the performer or audience by ringing once for “yes” and twice for “no.”
The apparatus consists of the original glass bell with ringer and matching wand. The bell measures approximately 5” in diameter; the wand measures approximately 13½” long.
Light wear consistent with age and use, including minor finish loss to the wand and age-related wear to the metal fittings. Very good condition overall.
An uncommon surviving example of early twentieth-century spiritualistic apparatus from one of magic’s most respected makers.
House of Java. Owen Magic Supreme, ca. 1980s.
An oversized version of the classic Silk Cabby in the form of a birdhouse. Hinged doors on both sides open to show the interior empty before a substantial production of silks is made from within. Measures approximately 12 × 6 × 8 inches. Minor wear consistent with age and use. Very good condition.
Mike & Ike. Val Evans / Max Holden, ca. 1940s.
A mechanical routine marketed by Max Holden as a “Holden Exclusive,” using two collapsible cube shells, six solid wooden cubes, two folding display screens decorated with automobiles, and a miniature jug to illustrate a story of two fishermen, Mike and Ike. As the narrative unfolds, the cubes are transferred between the two display boxes until the final revelation, in which one fisherman is shown to have caught all of the fish while the other is left with only the jug.
Constructed of painted wood with folding painted display screens and accompanied by an original typed two-page instruction manuscript bearing Val Evans’ name at the top. Also included is the original Max Holden catalog advertisement for the effect, priced at $8.00.
Complete with six solid cubes, two shell cubes, folding display screens, jug, original typed instructions, and original catalog advertisement. Minor paint wear and expected handling marks throughout. Instructions show toning, creasing, and edge wear from age and use. Overall a very good example of a scarce Holden exclusive from the mid-twentieth century.
Multiplying and Manipulation Pocket Watches. Germany, ca. 1930s.
Group of imitation pocket watches designed for multiplying, vanishing, and manipulation routines. Includes examples with two distinct dial designs as well as a variety of construction types, including hinged, nesting, and hook-equipped watches for stage and sleight-of-hand performance.
Manufactured in Germany during the early twentieth century, these lightweight metal watches were produced for professional manipulators and stage magicians, allowing the repeated appearance, disappearance, and production of multiple watches during a routine.
Includes eight imitation pocket watches representing several styles and methods. No instructions. Expected wear from age and use, including oxidation to the metal surfaces, age toning to the dials, and one cracked dial cover. Overall very good condition.
Coin Wand. Maker Unknown, ca. 1900–10.
Lever-operated coin wand with clamshell mechanism and gimmicked 1899 Barber half dollar. Measures approximately 14" with the coin extended. Original black finish. Mechanism functions as intended. Good condition.
Traveling Block. Haenchen, ca. 1970s.
A red block stacked between yellow and blue blocks vanishes beneath a decorated metal cover before reappearing elsewhere.
Retains the original painted wooden base, three painted wooden blocks, and decorated metal cover. Hallmarked. Measures approximately 4 × 4 × 10 inches. Minor wear consistent with age and use. Very good condition.
Spring Production Baby, ca. 1930s.
A collapsible production doll designed for appearance from a borrowed hat or other production apparatus. Constructed with a painted papier-mâché head featuring hand-painted facial details, cloth body, pink-painted hands, lace-trimmed sleeves, floral bib, ribbon accents, and matching bonnet.
Production babies of this type were a popular feature of stage and club magic during the early twentieth century, providing a surprising and highly visible climax to production routines while collapsing flat for concealment before performance.
Minor wear to the painted head and expected age-related toning and light soiling to the fabric costume. Presents well and retains its original costume and painted features. Measures approximately 21 inches in length.
Ultra Glass Through Hat. Petrie & Lewis (P&L), New Haven, ca. 1940.
A glass of water resting on a brass candlestick is covered with a handkerchief and visibly penetrates the crown of a borrowed hat.
Sand-driven brass stand resembling a candlestick. Hallmarked on the underside. Accompanied by the original, worn instructions. Glass and handkerchief not included. Measures approximately [height] inches tall. Retains the original finish with noticeable wear and oxidation throughout. Mechanism operates smoothly. Cosmetically good; mechanically very good.
Change Bag. Los Angeles: F.G. Thayer & Co., ca. 1930.
Plush red bag with finely turned wooden handle and zippered bottom. Used to switch, vanish, or produce objects. Minor wear to the painted finish; otherwise very good. Uncommon in this format.
Abdul’s Fez Egg Bag. Nielsen Magic. Los Angeles, California. ca. 1970s–80s.
A clever variation on the classic Egg Bag, Abdul’s Fez transforms a traditional red felt fez into a deceptive production prop. The interior may be shown freely, the hat can even be worn by a spectator, yet a standard prop egg can repeatedly appear, vanish, and reappear using the familiar principles of the Egg Bag. The unusual fez presentation offers a fresh approach while supporting many classic Egg Bag routines.
Constructed of high-quality red felt and finished with a gold tassel, this example was produced by Nielsen Magic during the period when Norm Nielsen operated from Los Angeles. Wooden egg is not included, though any standard prop egg may be used.
The Magic Window. Magic Makers. Bath, Pennsylvania.
A visual penetration effect based on the classic Ghost Glass principle. A framed pane of clear Lucite is displayed and shown to be solid throughout. After the freely rotating center arm is positioned at any angle, a magic wand, needle, or similar object is pushed cleanly through both the arm and the clear panel, creating the illusion of an impossible penetration. The object is then withdrawn, leaving the panel apparently unharmed.
Constructed entirely of black, clear, and red Lucite with gold decorative accents and matching red display feet. The reverse retains the original Magic Makers maker’s label. Measures approximately 12.5” wide × 13” tall. Minor wear consistent with age and use. Very good condition overall.
Joey (Ben) the Forgetful Clown. Jack Hughes, Wales, ca. 1978.
Jack Hughes' version of Milbourne Christopher's Forgetful Freddie. Ben’s head is removed and placed inside a small wooden stand representing a bag. The balloon he has been holding is clipped in place of the missing head. When the balloon is burst, Ben’s head has returned, and the stand is shown empty. Bears the Jack Hughes hallmark. Printed wooden clown with spring-loaded head and painted wooden stand. Complete with the original instructions. Minor wear consistent with age. Very good condition.
Date-A-Girl. Supreme Magic, Bideford, Devon.
A vintage parlor effect produced by Supreme Magic in which a participant freely selects one of seven illustrated cards, each depicting a different woman identified by name and color-coded attire. The routine culminates in the performer correctly identifying the spectator’s chosen “date.”
Includes the complete set of seven illustrated cards (Jane, June, Margaret, Kathleen, Sheila, Eveline, and Dorothy), seven original envelopes, and the original typed instruction sheet. The instructions describe the routine as a revised presentation of Bruce Elliott’s earlier Bluebeards effect.
Measures approximately 8.75 × 6 inches. Cards, envelopes, and instructions exhibit light age toning and handling wear consistent with use. Very good condition overall.
Slydini’s Torn & Restored Newspaper. Tony Slydini. ca. 1950s
Tony Slydini’s celebrated Torn and Restored Newspaper routine, one of the master’s signature effects. A newspaper is openly displayed on both sides, torn repeatedly into small pieces, then instantly restored in a dramatic finish. The routine supplied here utilizes Slydini’s mechanical handling, allowing the newspaper to be shown on both sides before and after each tear while remaining practical for performance.
Included are the original brown titled envelope, the original five-page set of yellow mimeographed instruction sheets detailing the preparation and handling, and a prepared newspaper for performance. The envelope bears the original $2.00 selling price on the front.
Envelope exhibits moderate wear, creasing, edge tears, and age toning consistent with use. Instruction sheets remain clean and legible. Prepared newspaper shows expected handling wear from age and storage. Good to very good condition overall.
Ultimate Ring Grinder. Chance Wolf. Wolf’s Magic, ca. 2007.
A handcrafted interpretation of the classic ring grinder by Chance Wolf, created in his distinctive retro-industrial style. Constructed with brushed aluminum panels, colorful control features, an oversized operating crank, flashing LED effects, and realistic sound effects, the Ultimate Ring Grinder transforms a practical utility into an entertaining theatrical prop. Designed as a lead-in to a borrowed ring routine, it pairs naturally with Ring in Gumball, Nest of Boxes, and other impossible location effects while providing a memorable moment before the final revelation.
An increasingly sought-after Wolf’s Magic creation that reflects the exceptional craftsmanship and imaginative design for which Chance Wolf is known. No instructions. Excellent condition. Measures approximately 6 x 4½ x 4 inches.
Duck Bucket. Mak Magic, ca. 1970s–80s.
A classic comedy production prop from Mak Magic, designed in the form of a wooden bucket with rope handles and painted black banding.
Constructed from wood with a simulated wood-grain finish. Hinged top with original hardware, rope handles. Measures approximately 12” x 12”. Light wear consistent with age, very good condition overall.
Barry Price Card-to-Envelope Wallet. Barry Price / Owen Magic Supreme, ca. 1998.
Owen Magic Supreme’s limited-edition reissue of Barry Price’s acclaimed Card-to-Envelope Wallet, widely regarded as one of the finest examples of its type. Crafted from black calfskin with a moiré-lined interior, the wallet was designed for the classic signed card to sealed envelope effect while retaining the appearance and functionality of an elegant everyday wallet.
A selected and signed card vanishes from the deck and is discovered moments later inside a sealed envelope removed from a zippered compartment within the wallet. The envelope may be opened by the spectator.
Complete with original instructions, presentation box, and a substantial supply of envelopes purchased directly from Owen Magic Supreme. The wallet appears unused, with no visible signs of performance wear. Mint condition.
Private Pat. F.G. Thayer, Los Angeles, ca. 1942.
A doughboy-themed version of the Bonus Genius vanishing doll. The effect originally employed two wooden soldier figures and a khaki tent, allowing the doll to vanish beneath the tent during performance. Offered here are the original painted wooden figure and khaki fabric tent marked “USA.” The second gimmicked figure is not present.
The wooden figure stands approximately 7¼” tall. The tent retains its original secret pocket and remains in exceptionally well-preserved condition.
Light wear consistent with age and use. The figure shows minor finish wear. The tent remains remarkably clean, with strong color and stitching. Very good condition overall.
An uncommon surviving example of a lesser-seen Thayer novelty effect.
Lota Vase. Japan, ca. 1930s–40s. Ceramic Lota Vase with cream-colored glazed finish, twin handles, and molded paneled body. Marked Japan on the underside. Approximately 7.5” tall. Light crazing and wear consistent with age and use, including minor glaze loss at the rim. Very good condition overall.
Dragon Table. Louisville: Don Redmon, ca. 1940s. Side table lacquered to represent a dragon. Three folding wooden legs; cloth-covered top. 31” high. Minor wear, very good condition overall.
Production Bird Cages. Chu’s Magic, Hong Kong, ca. 1970s.
Pair of collapsible production bird cages manufactured by Chu’s Magic. Constructed of metal, each cage collapses flat and springs instantly into shape when produced. One cage is signed in marker, “Peter Chu / Made in 1975.”
Well-made examples from a maker best known for practical stage apparatus. The signed cage remains in very good condition. The second cage shows heavier wear and oxidation from age and use. Both function properly and retain strong spring action. A seldom-encountered pair.
Dove Through Glass. Jack Hughes, ca. 1970s. From the collection of William V. Rauscher.
Jack Hughes’ version of the classic Dove Through Glass effect, in which a dove visibly penetrates a solid pane of glass suspended within an open frame. Constructed in painted wood with Art Deco styling.
From the collection of William V. Rauscher (1932–2024), who owned and performed the apparatus. Accompanied by a custom red travel case made by Rauscher and bearing his promotional label. Light wear consistent with age and use. Very good condition overall. Includes case. Scarce.
New Close-Up
Memory Test Card Trick. American, ca. 1940s.
Pocket card effect in which a Deuce and two Threes of Hearts are displayed and placed on the table. When the cards are gathered, one of the Threes apparently changes into the Ace of Hearts. Accomplished with three specially printed cards.
Includes the three cards and original illustrated instruction envelope. Also accompanied by a period “Air Raid Warden” novelty card found inside the envelope, though not believed to have been originally issued with the trick. Light toning and wear from age; very good condition overall.
Split Deck. Merv Taylor/Owen Magic Supreme, ca. 2000.
Classic card effect devised by Bob Haskell. Two spectators each select a half-card; when the corresponding halves are brought together, they form a complete matching card. Produced using Fox Lake playing cards. Includes the specially prepared deck and original printed instructions. New old stock.
On the Spot. Everett Lyda and Ormond McGill, ca. 1953.
Pocket card trick employing specially printed spot cards for a six-effect routine of spelling, prediction, transposition, color divination, and related effects. Includes six red and six black spot cards, twelve cards bearing spots in various colors, three-page typed instructions, and original pictorial advertising envelope. Light toning and age-related wear to the cards and paper components; very good condition overall.
Millet Bell. Maker unknown, ca. 1910.
A quantity of millet or rice vanishes from one vessel and reappears beneath the bell. Finely turned hardwood construction with a natural finish and red-painted interior.
Measures approximately 4.5" high and 2.375" in diameter at its widest point. Shows light wear consistent with age and use. Very good condition.
Simplex Slat Card Frame. Joe Berg, Viking-Haenchen Magic Co., ca. 2000.
Hardwood card vanish in which a selected playing card is placed within a wooden frame, visibly imprisoned behind three horizontal slats. With a pass of the performer’s hand, the card instantly vanishes, after which the frame may be shown from both sides. Finely constructed in hardwood. Includes original illustrated instructions. Measures approximately 4 × 2.75 inches. As new.
Non-Geometrical Disks. Chicago: B. L. Gilbert Co., ca. 1940s.
Optical illusion consisting of three circular disks which, when arranged according to the supplied directions, create the appearance that the distances between them are unequal despite measuring the same. Includes three pale green disks, printed instruction card, and original titled envelope. Envelope and instructions toned with light age-related wear; disks very good. An unusual Gilbert pocket novelty, complete with its original packaging.
Ghostly Cigarette Rise. Leo Kostka, ca. 1970s.
A borrowed cigarette is placed upright on the performer’s hand, where it mysteriously rises and lowers at will before being returned for examination. The effect is accomplished without visible threads, pins, or wires.
Includes the original illustrated envelope, instructions, and separate sheet of bonus routines. The gimmick is not included; suitable replacements are readily available. Paper components show age-related toning, creasing, and edge wear. Very good condition overall.
Flap Tray. F.G. Thayer & Co., Los Angeles, ca. 1925.
Mahogany tray designed to secretly exchange a group of cards for a duplicate set. Retains the original matching wooden flap and original newsprint. Measures 8 x 6". Light wear, very good condition.
Locking Card Box. Milson-Worth, ca. 1980s.
Finely made hardwood card box constructed of walnut and fitted with a brass knob. The concealed mechanism allows playing cards placed within the box to be secretly exchanged or vanished. Includes resetting magnet. Excellent condition.
Free Drinks. Adams, ca. 1960s.
Novelty card trick in which four cards bearing different responses are displayed, with the spectator ultimately selecting the card reading “I Will!” in answer to the question of who will buy the drinks.
Includes the complete set of four specially printed cards, original illustrated envelope, and instructions. Light toning and wear to the envelope and cards from age and use. Very good condition overall.
Sealed X Marks the Spot. Ernie Bryan / Star Magic, ca. mid-20th century.
A simple card force using specially printed cards. Original envelope includes two custom-printed cards and instructions.
New old stock, sealed and unused. Opened example shown for reference.
Simplex Miser’s Dream. E-Z Magic, ca. 1960s.
A practical version of the classic Miser’s Dream in which coins are repeatedly produced from the air, the performer’s clothing, or other seemingly impossible locations and dropped into a glass or other receptacle. The apparatus consists of two concealed metal coin holders, worn beneath the coat and designed to release coins individually into the performer’s hands.
Includes both original metal coin holders, original illustrated instructions, and original pictorial envelope. Light age-related wear to the apparatus and paper components; very good condition overall.
Psychic Spoon. Lou Tannen, New York, ca. 1970s.
Close-up mental effect in which a spectator initials a pictured spoon before the illustration is sealed in an envelope. Upon its removal, the spoon is seen to have mysteriously bent while retaining the spectator’s initials.
Includes the original colorful illustrated packaging card, original instructions, and two complete packs of spoon cards. Produced exclusively for Lou Tannen by P. Cinimod Release. Light age-related wear; very good condition overall.
Candy’s Dandy. Mike Shelley, ca. 1970s.
A prediction effect using five familiar candy bars displayed in their original illustrated box. A spectator is given a free choice of any candy, after which the performer reveals a previously prepared prediction correctly identifying the selection. Includes five imitation candy bars, prediction card, original labeled box, and instructions. Box shows age-related spotting and wear; contents very good.
Ob-Ser-Vo. Eugene Burger, ca. early 2000s.
Eugene Burger’s presentation of the classic “Seeing What Seems” plot, in which two spectators observe the same small packet of cards yet disagree about their colors, values, and even quantities. The routine concludes with a surprising revelation that neither spectator’s observations were entirely correct. Burger’s handling eliminates sleight of hand and incorporates a suggestion by Max Maven.
New old stock condition. Complete with the original special Bicycle-backed cards, printed instructions, envelope, and original illustrated packaging. Unused, with only light age-related wear to the packaging.
Bewildered. Phil Matlin, ca. 1979.
Card prediction effect in which a spectator freely stops the performer as cards are dealt face down from a shuffled deck. The card stopped at proves to match a jumbo prediction that has remained in view from the beginning. As a further surprise, the remaining cards are shown to be entirely different from both the selected card and the prediction.
Includes the original Target deck, jumbo prediction card, envelope, printed instructions, and original illustrated packaging. Light age-related wear; very good condition overall.
Tenyo Illusion Truck T-241 — Pristine, Factory Sealed
A clever miniature magic trick from Tenyo’s sought-after Magic Collection. Make the included lion figurine vanish inside a handkerchief, then instantly reappear inside the seemingly empty toy circus truck. Its ingenious built-in gimmick creates an impressive stage-style illusion right on your tabletop.
Made in Japan and created by Takayuki Kumazawa, with instructions by Steve Cohen.
This example is in pristine condition and remains unopened in its original blister packaging. The package includes the gimmicked toy truck, lion figurine, and instructions.
Bob Haskell's Tear-A-Button. Al Sharpe's Studio of Magic, Chicago, ca. 1960s.
A spectator's coat button is torn from the jacket with an audible ripping sound. After the button is displayed, it is restored to the spectator's coat.
Complete with the original gimmicked and matching ungimmicked buttons, original printed envelope, and original typed instructions. Envelope exhibits tears, creasing, and paper loss. Instructions show fold wear consistent with storage. Good condition.
Hot Spot. R. Vernon Cook. A Star Magic Product, ca. 1970s.
A wand is passed completely through a small wooden block. After the block is turned to face the audience, the wand is again inserted but appears to vanish within the block rather than emerging from the opposite side. The wand is then withdrawn, and both the block and wand may be handed to a spectator for examination. Includes wooden block, wand, original box, and instruction sheet. Light wear from age and use. Very good condition overall.
Magic Clock. Vienna Magic, ca. 1993.
A compact electronic mentalism effect in which a spectator freely turns the pointer on a miniature clock face to any hour, closes the wooden box, and hands it to the performer. Without reopening the box, the performer is able to reveal the selected time.
Constructed of varnished wood with a blue and gilt clock dial, red pointer, brass hardware, and concealed electronic signaling system. Includes original printed instructions in both German and English. Measures approximately 4 × 4 × 2". Minor wear. Very good condition.
The Goof Ball. Bev Taylor / Town House Magic, ca. 1950s–60s.
A pocket novelty effect by Bev Taylor in which two identical-looking rubber balls exhibit contrasting properties. One ball rebounds normally when dropped, while the other appears nearly lifeless, allowing a variety of comedy presentations and sleight-of-hand sequences. The original instructions include additional routine suggestions by Bobo.
Includes the original labeled container, two original rubber balls, and typed instructions.
Container exhibits moderate wear from age and use, including surface wear, edge wear, and loss to the paper covering the lid. Instructions show folds and age toning consistent with storage. Both original rubber balls remain soft, pliable, and in remarkably well-preserved condition with light handling wear. Good condition overall.
Penetro-Coin (T-37). Tenyo, 1969.
A borrowed coin is dropped beneath a handkerchief into a glass. The coin vanishes and is discovered inside a bag contained within two nested containers.
Complete with the original box, instructions, and unused contents. The contents were removed from the original packaging for photography only. Box shows minor shelf wear consistent with age. Contents remain unused. Excellent condition.
Kenard's Nu-Koin Mystery. Kenard Mfg. Co., ca. 1930s.
A coin vanishes from between two solid wooden blocks before reappearing in an impossible location. Complete with the original box, illustrated instructions, original gimmicked shell coin, card, and wooden blocks. Patent No. 2,199,818 noted on the instructions. Box shows light wear consistent with age. Instructions exhibit moderate creasing and edge wear. Components remain in very good condition.
Dots Impossible. Al Cohen / ALCO Products. ca. 1950s–60s.
A compact packet effect marketed by ALCO Products and credited to Al Cohen. Six spot cards are displayed face down and a spectator freely selects one. When the chosen card is turned over it proves to be the only card of its color, while the remaining five are all shown to match, creating a direct and highly visual climax.
Includes the original printed paper envelope with humorous cover artwork, six spot cards, and the original typed instruction sheet.
The paper envelope exhibits age toning, light soiling, and minor edge wear consistent with age. The cards remain clean with light handling wear, and the original instructions are present. Very good condition overall.
Hyper Vision. Tomoyuki Shimomura. Tenyo, 1989.
A classic Tenyo mentalism effect created by Tomoyuki Shimomura in which a spectator appears to develop extraordinary mindreading abilities, correctly identifying a freely selected ESP symbol under seemingly impossible conditions. One of Tenyo’s more memorable presentations of an ESP-themed effect, combining an engaging premise with the company’s signature inventive design.
Retains the original blister packaging with printed backing card, five ESP symbol plates, red plastic holder, and original instruction sheet. Created by Tomoyuki Shimomura, with instructions by Gary Ouellet.
Card exhibits light shelf and handling wear, including minor corner wear and age toning to the reverse. Blister remains sealed. Very good condition overall.
Dots Incredible. Al Cohen. ALCO Product. ca. 1970s.
A packet effect by Al Cohen in which black and red spotted cards repeatedly separate and reunite in an increasingly impossible series of transpositions. Designed for close-up performance, the routine relies on a small set of specially printed spot cards to create a sequence of visual color changes and impossible rearrangements.
Includes the original printed paper envelope, complete set of six spot cards, and the original typed instruction sheet.
The paper envelope exhibits light toning and minor wear from age. Instruction sheet is original and lightly folded as issued. Cards show light handling wear consistent with use. Very good condition overall.
Master Key by Terri Rogers, Martin Breese, 1997
One of the most highly regarded commercial book tests of its era, The Master Key is Terri Rogers’ ingenious multi-book mentalism system, allowing a performer to reveal a freely selected word under seemingly impossible conditions. The routine combines several classic book test principles into a versatile performance piece and was distributed in the United States by Magic City.
Includes full instructions and the complete set of specially prepared books: The Labyrinth by Brian G. Gray, Sherlock Holmes and the Houdini Birthright by Val Andrews, and The Spy by Tom Strange. Excellent condition overall.
Hot Spot. R. Vernon Cook. A Star Magic Product, ca. 1970s.
A wand is passed completely through a small wooden block. After the block is turned to face the audience, the wand is again inserted but appears to vanish within the block rather than emerging from the opposite side. The wand is then withdrawn, and both the block and wand may be handed to a spectator for examination. Includes wooden block, wand, and original photocopied instruction sheet. Light wear from age and use. Very good condition overall.
Penetrating Hanky. E-Z Magic, ca. 1970s–80s.
A small silk handkerchief visibly passes through a larger handkerchief after the larger handkerchief is draped over a glass containing the silk. Includes the original illustrated box, gimmicked clear glass tumbler, blue and white handkerchiefs, and original instructions.
Box exhibits light to moderate wear from age and storage, including edge wear, minor soiling, and creasing. Tumbler is free of chips or cracks. Handkerchiefs and gimmick show light handling wear. Note, original instructions are town but legible. Very good condition overall.
Reincarnation. Dave Cresey Products, 1976.
A torn-and-restored bill effect in which the center portrait is torn from a folded five-dollar bill. The torn center is displayed separately before the bill is reopened and shown fully restored. The routine employs specially prepared imitation five-dollar bills.
Includes the original printed instruction envelope, typed instruction sheet bearing a 1976 Dave Cresey Products copyright, and a supply of prepared imitation five-dollar bills. Dave Cresey Products was established in 1976 and became best known for its handmade paper magic products, including mouth coils, throw streamers, and related effects.
Instruction envelope exhibits moderate age toning, edge wear, creasing, and a tear to the upper edge. Instructions are toned with folds from storage. Prepared bills show light handling wear. Good condition overall.
New Books & Ephemera
25 Rice Bowl Methods. Winston H. Freer, ca. 1950s.
Original mimeographed booklet by magician and inventor Winston H. Freer devoted to twenty-five methods and variations for the classic Rice Bowls. Includes Freer’s “Maxam” Glass Bean Bowls Routine on page 10, reflecting his inventive approach to the possibilities of a familiar effect.
Freer, who also performed under the name Doc Maxam, was an inventive and influential figure in twentieth-century American magic, known for developing unusual effects, methods, and apparatus.
Mimeographed sheets in stapled wrappers, with the original $2.00 price printed on the cover. Wrappers toned with age, with minor spotting and wear as shown. An uncommon Freer publication.
Wallace the Magician Metamorphic Christmas Card. Durham, North Carolina, ca. 1950.
Uncommon Christmas card issued by Wallace Lee (1892–1969), the Durham magician and author of Math Miracles. The color-printed card incorporates a clever folding metamorphic design, transforming the illustrated duck into a rabbit when opened. The interior bears a second view of the transformation, Lee’s portrait, and his Durham, North Carolina address. Very fine condition.
Adelaide Herrmann Theatre Program. Boston: B.F. Keith’s Theatre, 1919.
Original vaudeville program featuring Adelaide Herrmann, billed as the “Widow of the famous ‘Herrmann the Great,’” presenting “A New Series of Mystery Problems.” Herrmann appears as part of a multi-act vaudeville bill. Pictorial wrappers depicting the B.F. Keith Theatre. 8vo.
Pages browned with age, with scattered edge wear and minor chipping; wrappers show light soiling and handling wear. Very good overall for a period theatrical program.
Leroy’s Mammoth Pictorial 20th Century Up-to-Date Illustrated Catalogue. W. D. LeRoy, Boston School of Magic, Boston, ca. 1900s–1910s.
Extensively illustrated catalogue of conjuring apparatus, illusions, books, puzzles, novelties, and related goods offered by W. D. LeRoy’s Boston School of Magic. 213 pages, with several inserted portraits of prominent magicians. Of particular note is a tinted portrait of Harry Houdini; the other inserted portraits are printed on white paper.
Original pictorial wrappers. Light rubbing and wear, with creasing and light sunning to the spine and occasional minor wear and creasing to the contents. Very good condition overall.
Herrmann the Great Theatre Program. Newark, New Jersey: Proctor’s Theatre, 1904. Original vaudeville program featuring a half-page “Coming Soon” advertisement for Herrmann the Great (Leon Herrmann) and Eugene Sandow, together with numerous other forthcoming attractions. Illustrated wrappers advertising Proctor’s Theatre and its Newark and New York locations. 8vo.
Pages browned and brittle with age, with chipping and losses along the edges and spine, most noticeably at the lower left corner. Pencil notation to front wrapper. A scarce piece of period theatrical ephemera advertising Herrmann during the later years of his career.
Harry Houdini’s Magic Made Easy. 1956 Facsimile Reproduction from The New Phoenix.
A facsimile reproduction of one of Harry Houdini’s earliest known magic publications, Magic Made Easy by Prof. Harry Houdini, King of Cards and Handcuffs. Originally issued in New York by Van Fleet, Printer, Clipper Building, circa 1898, this rare Houdini booklet combined instruction, advertising, and a catalogue of magic tricks, apparatus, books, and related material offered during the early years of Houdini’s career.
The original publication is an important piece of Houdini ephemera, documenting his work as a magician, dealer, and teacher before he became internationally famous. It includes advertisements for Houdini’s School of Magic, listings of magic books and apparatus, “Hints for Amateurs,” money-making secrets, and descriptions of numerous tricks and illusions, including the Vivisection Act and Metamorphosis Substitution.
This 14-page facsimile appeared in The New Phoenix (Issues 341–342, February 1956) and was reproduced with permission from the original copy owned by Ed Miller of Chicago. It preserves one of Houdini’s earliest publications, a work that is otherwise rarely encountered by collectors.
Miniature Wands. Maker unknown, ca. mid-twentieth century.
Group of 19 miniature magician’s wands, each finished in black with white tips. Housed in the original cardboard box with printed label advertising “50 for $1.00.” Box measures approximately 2¾ x 2". Shows light age-related wear and toning. Very good condition overall.
The Master Mystery. Arthur B. Reeve and John W. Grey. New York: Grosset & Dunlap, 1919. First edition.
Novelization of the fifteen-part silent film serial starring Harry Houdini as Department of Justice agent Quentin Locke. Illustrated with eight photographic plates from the Houdini Super-Serial, including the frontispiece. The story pits Locke against a criminal organization and its mechanical enforcer, the Automaton, an early screen depiction of a robot.
Original red cloth with black lettering to the front board and spine. 304 pages, followed by publisher’s advertisements. Spine sunned, with wear and soiling to the binding; toning and scattered foxing internally, with several gutters overopened or starting. Good condition overall.
Thayer’s Catalogue Bulletin of Fine Magical Effects and Apparatus. Thayer Manufacturing Co., Los Angeles, ca. 1920s.
A scarce early catalog bulletin from the renowned Thayer Manufacturing Company of Los Angeles, offering a selection of fine magical effects and apparatus for professional and amateur performers. The illustrated catalog features Thayer’s stage and parlor apparatus, including the “Ultra” Four Ace Effect, P. & L. Vanishing Wand, Mystic Box and Lucky Die, Eli’s Die Box, and the company’s dramatic “Sawing a Woman in Half” illusion.
The cover features a photographic view of a magician’s stage outfitted with Thayer apparatus, while the rear cover highlights one of the company’s signature illusions. An excellent reference piece documenting the craftsmanship, innovation, and marketing of one of America’s most important magic manufacturers.
Softcover, illustrated throughout. Measures approximately 11.5 x 9 inches. Shows age-related toning, edge wear, and light handling consistent with its age. Good condition.
The Demon Telegraph. No. 122. London: L. Davenport & Co., August 1949.
Issue No. 122 of The Demon Telegraph, the house magazine of L. Davenport & Co. of London. The cover features a portrait of French magician Servais Le Roy, identified as “One of the World’s Greatest Magicians,” within the magazine’s distinctive red-and-black theatrical design.
28 pages, with magic-related articles, tricks, news, and advertisements for Davenport apparatus and novelties. Rear cover features an illustrated advertisement for the Ever Ready Cigarette Dropper along with a period listing of Davenport magical tricks and novelties.
Light toning and minor age-related wear; very good condition.
Nothing Is Impossible. Trevor H. Hall. Croydon: ARCAS, 1946.
A study of the celebrated British magician David Devant by magic historian and bibliographer Trevor H. Hall. Hall examines the life and career of one of the most influential figures of the Golden Age of British magic and a central figure in the early history of The Magic Circle.
64 pages. Bound in orange cloth with black lettering to the front board. Shows age-related wear and soiling to the covers. Spine and front pages loose, but present. Good condition overall.
Magic and Spells Quarterly. Kirk LeRoy Stiles, publisher. Hollywood, Florida, 1970–1972.
A scarce near-complete run of Magic and Spells Quarterly, a periodical devoted to original magical methods, procedures, and ideas published by Kirk LeRoy Stiles. This offering includes three of the four issues published during the first volume of the journal: Summer 1970, 1971, and 1972 (missing issue No. 3).
Published in a small format for the serious magician, Magic and Spells Quarterly featured original contributions from noted performers and creators of the period, including articles on card magic, close-up effects, and original techniques. The journals include contributions by Norman Houghton, Edward Marlo, Allan Shaw, Gerald Kosky, and others.
Three issues, softcover, illustrated throughout. Overall very good condition with light age-related toning and handling wear.
Milt Larsen’s Magic Castle Tour. Carol Marie, 1997.
An illustrated tour of Hollywood’s famed Magic Castle, written by Carol Marie and centered on the history, rooms, personalities, and magical atmosphere of the private clubhouse founded by Milt Larsen and his brother Bill Larsen Jr. Features photographs and stories documenting the Castle and its place in the history of modern magic.
Paperback with decorative pictorial covers featuring the Magic Castle at night. A visual record of one of magic’s most celebrated landmarks. Very good condition.
Norm Nielsen Poster. Germany: The Magic Hands, 1993.
Photographic poster featuring Norm Nielsen performing card manipulations, issued as the November 1993 poster by The Magic Hands. Signed by Nielsen in gold ink at lower right. A striking period portrait of one of the foremost manipulation magicians of the twentieth century. Measures 11 x 17".
Very good, with light handling wear. Shipped flat in a rigid protective plastic sleeve.
The Colour Book of Magic and Simple Tricks. Clayton Rawson, 1970.
A beautifully illustrated introduction to magic by renowned magician, author, and illustrator Clayton Rawson. This charming volume presents a collection of simple magic tricks, demonstrations, and magical curiosities, accompanied by Rawson’s distinctive artwork and colorful illustrations throughout.
Published in 1970, this edition features 103 pages of entertaining magical instruction designed for aspiring young magicians. The book includes numerous full-color illustrations that bring Rawson’s inventive and playful approach to magic to life.
The interior bears the stamp of Davenport’s Magic Shop, London — one of the world’s oldest and most respected magic dealers, founded in 1898. The stamp identifies this copy as having passed through the historic British magic trade and adds an appealing piece of provenance for collectors.
Hardbound. 103 pages. Color illustrations throughout. Copyright 1970. Very good condition with light age-related wear.
Bev Bergeron Personal Ephemera Group.
Group of three items from the personal collection of magician, entertainer, and magic historian Bev Bergeron. Includes a “Magical Oddities” business card identifying Bergeron as president; a large “Vote for Bergeron / Dietrich / Klosterman” promotional pin from the IBM International Officers campaign; and Bergeron’s personalized American Safety Academy driving instructor name badge.
Three pieces of personal ephemera reflecting different aspects of Bergeron’s professional life and involvement in the magic community. Light age-related wear; very good condition overall.
Hopkins, Albert A. Magic: Stage Illusions and Scientific Diversions. NY: Munn & Co., 1906.
Covers stage conjuring, scientific recreations, and trick photography. Illustrated throughout.
Green cloth stamped in black and red. Tall octavo. Hinge loose at center. Cloth shows scuffing and soiling consistent with age. Good condition.
Ingenious Magic Illusion and Apparatus Patents: Expanded Edition. Matt Ruetz, 2022.
A comprehensive reference exploring patented magic apparatus, illusions, and related inventions drawn from the records of the United States Patent Office.
This expanded edition presents a fascinating collection of patent information covering magicians’ tricks, theatrical effects, magic-related games, toys, amusements, and mechanical innovations. Featuring illustrations and descriptions of hundreds of patented inventions, the volume provides a unique look at the creativity, engineering, and ingenuity behind magical apparatus throughout history.
Spiral-bound, 343 pages. A valuable reference for collectors, historians, builders, and anyone interested in the development of magical apparatus and illusion design. Very good condition.
The First Book of Magic. Edward Stoddard, 1953.
An introductory guide to conjuring by Edward Stoddard, presenting a selection of magic intended for the beginning performer. Covers fundamental principles and effects using cards, coins, handkerchiefs, and other readily available objects, with explanations designed to introduce the reader to the practice and presentation of magic.
Hardbound in red cloth with black lettering and a top hat and wand design to the front board. Light age-related wear to the covers; very good condition overall.
Talking Tie (“Tyler”). Kevin Detweiler/Lovik World, ca. 1980s–90s.
Novelty ventriloquial necktie incorporating a concealed spring mechanism that opens and closes a mouth formed in the front of the tie, operated by a control from the reverse.
Originally created by Kevin Detweiler and later produced under license by Lovik World, the Talking Tie became one of Detweiler’s most popular novelty puppets, with hundreds reportedly sold through magic dealers. Designed for use by ventriloquists as well as magicians and novelty performers. Burgundy fabric with brass fittings forming the eyes. The effect was sufficiently popular that a separate booklet of routines, Tie-Alogues, was produced for it. Very good.
Nelson Enterprises Catalog No. 17. Nelson Enterprises, 1936.
An illustrated sales catalog issued by Nelson Enterprises of Columbus, Ohio, featuring effects and supplies for mind reading, astrology, crystal gazing, and related branches of mental magic. In addition to advertising the firm's products, the catalog offers a period snapshot of one of the leading American publishers and manufacturers of mental magic during the 1930s. Original blue pictorial wrappers featuring an Art Deco cover design. Complete as issued. Light handling wear and toning consistent with age and use.
Expert Billiard Ball Manipulation. Burling Hull, 1928.
Fifth Printing, Deluxe Edition. First published in 1910, Expert Billiard Ball Manipulation became one of the standard English-language works on billiard ball manipulation and remained an influential reference for generations of performers. Illustrated throughout with nearly 200 photographic studies, the work covers palming, productions, vanishes, acquitments, multiplying billiard balls, color changes, stage presentation, and the use of specialized apparatus and gimmicks.
Original gilt pictorial wrappers. Includes Part One (Fifth Printing, Deluxe Edition) together with Part Two, which incorporates the complete text of Parts One and Two. Part One retains the original promotional wraparound band. Light handling wear and rubbing consistent with age and use. A well-preserved set of a classic work on manipulative magic.
The Invisible Pass. Jean Hugard and Frederick Braue. First Edition, 1946.
The first book devoted entirely to the pass, one of the most important sleights in card magic. Jean Hugard and Frederick Braue provide a detailed study of the technique, covering its mechanics, timing, naturalness, variations, and practical applications. Illustrated throughout with photographs and line drawings, the work remains one of the definitive treatments of this classic move.
First edition, published in 1946. Hardcover bound in the original blue cloth with silver-stamped lettering and illustration on the front cover. Minor wear consistent with age and handling. Binding is sound. Internally clean. Good condition overall.
List of Magic. Jack Hughes manufacturers of magic equipment. Orange wrappers, illustrated. Very good condition. Includes price list.
The World's Greatest Magic. Hyla M. Clark. Photographs by Paul Levin. New York: Tree Communications, Inc., 1976. First Printing.
A lavishly illustrated survey of modern conjuring featuring thirty-two of the twentieth century's foremost magicians. Combining biographical sketches, performance photography, and explanations of selected effects, the book offers an engaging look at many of the performers who helped shape magic during the 1970s.
Among the magicians represented are Doug Henning, Harry Blackstone, Jr., Kreskin, Harry Lorayne, Milbourne Christopher, Tony Slydini, Al Goshman, Mark Wilson, and numerous other leading performers from the era. Hundreds of color and black-and-white photographs by Paul Levin capture these artists both on stage and behind the scenes, making the volume as much a visual record of modern magic as an instructional work.
Bound in black cloth and retaining the original pictorial dust jacket. The jacket shows light shelf wear consistent with age, while the book remains clean, sound, and well preserved.
A handsome first printing documenting a remarkable generation of magicians, equally appealing to collectors of conjuring literature and those interested in the history of twentieth-century magic.
Inscribed and Signed by Penn Jillette and Teller. Penn & Teller's How to Play with Your Food. Penn Jillette and Teller. New York: Villard Books, 1992.
A humorous collection of culinary pranks, visual gags, and unconventional experiments from Penn & Teller. Blending sleight of hand, science, illusion, and irreverent comedy, the book presents dozens of playful ways to transform ordinary meals into memorable entertainment. Illustrated throughout with photographs and drawings. This copy is inscribed on the title page, "Nice lunching with you. Especially since you paid," and signed by both Penn Jillette and Teller.
Illustrated softcover. Light handling wear consistent with age and use. A clean, well-preserved copy.
Confessions of a Ghost Hunter. Harry Price. New York: Causeway Books, 1974.
The classic memoir of Harry Price, one of the twentieth century's foremost investigators of alleged paranormal phenomena. Drawing upon decades of research into haunted houses, séances, spirit mediums, and unexplained occurrences, Price recounts many of the investigations that established his reputation as both a pioneering psychical researcher and one of the era's most influential—and controversial—figures. Originally published in 1936, this Causeway Books edition introduced Price's firsthand accounts to a new generation of readers.
Bound in black cloth and retaining the original illustrated dust jacket, featuring a striking portrait design. The dust jacket shows light rubbing and handling wear consistent with age, while the book itself remains clean and well preserved. A handsome copy.
Men Who Wouldn't Stay Dead. Ida Clyde Clarke. New York: Richard R. Smith, 1945.
A collection of twenty-eight accounts of ghosts, hauntings, apparitions, and other supernatural phenomena compiled by journalist and psychical researcher Ida Clyde Clarke. Drawing upon historical records and firsthand reports, Clarke presents a series of well-known cases that helped shape twentieth-century interest in the paranormal, spiritualism, and psychical research.
Bound in the publisher's blue cloth and retaining the original illustrated dust jacket, featuring striking Art Deco-style typography and cover artwork. The dust jacket shows a large chip to the lower front panel, together with edge wear and rubbing consistent with age, yet remains bright and visually appealing. The book itself is clean and sound, with light shelf wear.
An attractive 1945 edition of a classic work on the supernatural, retaining its original dust jacket and well suited to collectors of ghost literature, spiritualism, psychical research, and occult history.
The Romance of Sorcery. Sax Rohmer. Causeway Books, 1973.
A hardcover reprint of Sax Rohmer's classic 1914 study of magic, witchcraft, and the occult. Best known as the creator of Dr. Fu Manchu, Rohmer explores the history and traditions of ceremonial magic, alchemy, divination, spiritualism, and legendary practitioners of the occult. Blending historical research with period accounts and folklore, the work has long been appreciated by collectors of magic and allied arts for its engaging survey of the mystical traditions that have influenced conjuring and illusion.
Retains the original illustrated dust jacket. Light shelf wear consistent with age, including minor rubbing to the jacket. A clean, well-preserved copy well suited to both collectors of magical literature and readers interested in the history of the occult.
New England Magicians’ Convention Broadside. Boston, 1939.
Promotional broadside for the 7th Annual New England Magicians’ Convention, held at the Hotel Bradford in Boston on October 7–8, 1939. Printed in an attractive Art Deco style, the handbill advertises a weekend of performances, contests, exhibits, and special events.
Featured performers include Jean Hugard, Al Baker, Max Holden, The Floyds, Kardyro, Val Evans, Valentine, and others, offering a snapshot of the American magic scene in the opening weeks of World War II.
Illustrated with a rabbit-and-top-hat motif and boldly titled “Here’s Your Check,” the piece combines strong graphic design with historical significance. Light wear consistent with age. Very good condition.
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Follower of Hieronymus Bosch. The Conjurer. Early 16th century.
Sesame Drawer Box. Owen Magic Supreme, Azusa, California, ca. 1970.
A large drawer is removed and shown empty, then returned to the cabinet. When withdrawn again, it is filled with a production of the performer’s choosing. The sides and rear of the cabinet open, allowing the interior to be displayed before the production.
Wooden construction finished in Owen’s characteristic red, black, and gold. Measures approximately 11 x 7.5 x 6.5". Shows wear consistent with age and use. Some hinges appear to have been replaced. Good condition.